Films of James Mark Sullivan, 1916-20
- References:
- Report of showing of Knocknagow at Empire Theatre,
Irish Times,
April 23, 1918, p.3.
- Review of Knocknagow,
The Bioscope
(The Independent Film Trade Paper), England, 16 Oct 1919.
- Letters about "Knocknagow" from
Michael Rynne ("UP DUBLIN")
to Evening Herald, 23 May 1968 and
7 June 1968.
NOT Evening Press.
NOT 1965.
- Letter about "Knocknagow" from
Michael Rynne
to Irish Times, 7 Jan 1975.
This references an interview with
Cyril Cusack,
January 3, 1975.
-
Anthony Slide,
The Cinema and Ireland, 1988.
- Brian McIlroy, Irish Cinema: An Illustrated History,
1988.
-
Censoring Irish Nationalism:
The British, Irish and American Suppression of Republican Images in Film and Television, 1909-1995
by Louisa Burns-Biscogno, 1997.
-
Stills, Reels and Rushes: Ireland and the Irish in Twentieth Century Cinema
by Michael Gray, 2000.
- Irish National Cinema, Ruth Barton, 2004.
- Sources yet to be consulted:
- Maryanne Felter
(and here)
- The Irish Limelight Jan 1917 : 3.
- The Irish Limelight May 1917 : 4.
- The Bioscope, 15 Jan 1920.
- "Came the Dawn",
program on Irish cinema,
Radio Éireann,
Wed 5 May 1965.
- "Film Production in Ireland in the Early Days",
John MacDonagh's reminiscences,
in Cinema Ireland 1895-1976 [pamphlet] (Dublin: Dublin Arts Festival 1976).
- Taylor Downing, "The film company of Ireland",
Sight & Sound, 49 n1 (1980): 42-5.
- Tony Iles, "Irish film making - the forgotten years",
Cinema Technology, 12 n4 (1999): 32-36.
-
Section: "The Film Company of Ireland, 1916-20",
p.676,
A New History of Ireland, VII: Ireland 1921-84,
ed. J.R. Hill, Oxford, 2004.
-
The Story of Irish Film
by Arthur Flynn, 2004.
-
Wharton Releasing Corporation records,
c.1916-23,
Collection Number: 3924,
Division of Rare and Manuscript Collections,
Cornell University Library.
-
"Knock-Na-Gow" or "The Homes of Tipperary", Box 1, Folder 46
-
"Willy Reilly and His Colleen Bawn", Box 1, Folder 49-51
List of films
A list of films produced by
James Mark Sullivan
and the Film Company of Ireland, 1916-20.
All silent movies.
-
O'Neill of the Glen
(also here
and here),
1916.
"Released July 1916".
Listed
as FCI's first film,
screened at the Bohemian Theatre in Dublin, 7th Aug 1916.
See account:
"a cameraman from the Film Company of Ireland photographed audience members as they walked
into the theater.
The footage was then screened as an addition to the film at subsequent screenings"
-
Food of Love
(also here), 1916.
-
Irish Jarvey Tales, 1916.
-
Puck Fair Romance
(also here
and here), 1916.
-
Shanachies Tales, 1916.
-
The Eleventh Hour
(also here), 1916.
-
The Girl From the Golden Vale, 1916.
-
The Miser's Gift
(also here
and here),
1916 (or 1917).
-
Treasure Trove, 1916.
-
Woman's Wit
(also here
and here), 1916 (or 1917).
-
Fun at a Finglas Fair, 1916.
-
The Widow Malone
(also here
and here),
1917 (NOT 1916).
Released January 15, 1917.
-
An Unfair Love Affair
(also here), 1917 (NOT 1916).
Released January 22, 1917.
-
A Girl of Glenbeigh
(also here), 1917 (or 1918).
-
A Man's Redemption, 1917.
-
A Passing Shower, 1917.
-
Blarney
(also here), 1917.
-
Cleansing Fires, 1917.
-
Rafferty's Rise
(also here), 1917 (NOT 1918).
Jim produced it.
-
The Byeways of Fate
(also here), 1917.
-
The Irish Girl
(also here), 1917.
-
The Upstart
(also here), 1917.
-
When Love Came to Gavin Burke
(also here), filmed 1917 (definitely),
released 1917 or 1918.
- Knocknagow
(and here),
shot in 1917,
released
1918
(NOT any other date),
a film of the novel Knocknagow
by Charles Joseph Kickham.
Length: 90 mins.
First shown in Clonmel 30 Jan 1918.
Opened in Dublin 6 Feb 1918
[Slide, 1988].
Jim produced it.
Film directed by
Fred O'Donovan,
who also starred.
It was filmed at a big house near Kickham's home town
Mullinahone, Co.Tipperary.
Nell's sister
Mary Rynne had a role in it.
Cyril Cusack
(see filmography)
appeared in it as a 7 yr old boy,
it was his film debut,
he had already been on stage.
Micheál MacLiammóir
had a minor role in it.
It was a popular film in Ireland and Irish America,
especially in the new, post-1916, Irish nationalist atmosphere.
An English review
[Bioscope, 1919]
finds some charm in it,
despite being put off by what it sees as heavy-handed anti-English politics.
-
Willy Reilly and his Colleen Bawn
(and here),
1918 (or 1920),
a film of the popular story of 18th cent Catholic-Protestant love,
Willy Reilly and His Dear Cooleen Bawn
by William Carleton, 1855.
Jim produced it.
Film directed by the well known film director
John MacDonagh
[see
biography].
John was
brother of Thomas MacDonagh
the executed 1916 leader,
who had when alive been involved in theatre and publishing,
co-founder of Edward Martyn's Irish Theatre,
and co-founder of
St.Enda's.
Some of the film was shot at St Enda's.
Under cover of this film they made an appeal film
[shot at St Enda's, directed by John MacDonagh] for
the 1919 Irish Republican Loan.
"In those dangerous and exciting times, no cinema owner would dare risk exhibiting the Republican Loans film
so it was planned for a few volunteers in fast cars to visit certain cinemas, rush the operator's box,
and, at gun-point, force the operator to take off the film he was showing, and put on the Loan film."
[MacDonagh, 1976].
Copy of the Loan film exists in [IFA].
-
Paying the Rent
(also here), 1919 (or 1920).
- In the Days of Saint Patrick, 1920,
was produced by the "General Film Company of Ireland".
Other films
- NOT by the Film Company of Ireland:
You Remember Ellen
(also here),
1912.
This was produced by the
Kalem company
(American, made a number of movies in Ireland).
- Possibly by the Film Company of Ireland:
Land of Her Fathers, 1924.

Jim Sullivan, 1913.
See
larger
and
full size.

Jim Sullivan grave, Glasnevin Cemetery, Dublin.
Photo 2010.
See full size
and other shot.
See wider shot
showing location relative to chapel.
See close-up
and other shot.
"Whatever the limitations of the two major fiction film production companies,
Kalem and The Film Company of Ireland, working in Ireland during the 1910-20's,
they did produce the first positive fictional images of Ireland on film."
- Kevin Rockett,
Cinema and Ireland,
1988.
Return to
James Mark Sullivan.