Genealogy research by Mark Humphrys.
The portrait
was
commissioned by his father
the 10th Earl of Pembroke.
Montgomery was the offspring of an affair the 10th Earl had in 1762.
The portrait was
exhibited at the Royal Academy
in 1792
(when everyone involved in the affair was still alive).
It is now at
Wilton House.
A very good painted copy of the Wilton House portrait.
Picture in possession of Augustus Montgomery's descendants,
Gibbon of South Africa.
Light adjusted digitally.
See full size.
See alternative
and original.
Image courtesy of Mike Hilligan.
Augustus Montgomery.
Picture in possession of
Gibbon of South Africa.
Looks like a sketch of the Wilton House portrait.
Light adjusted digitally.
See original.
Image courtesy of Mike Hilligan.
A quarter-size painting of the Wilton House portrait.
Picture in possession of Augustus Montgomery's descendants,
the
Gibbon family.
This copy is thought to have been painted
by Montgomery's great-granddaughter
Florence Gibbon
around 1900.
See full size
and alternative scan.
(Left) Detail of a
portrait of her father
by Florence Gibbon.
See full size.
(Right) Detail of the above copy of the Augustus Montgomery portrait.
See full size.
Seems to be the same style.
Florence must have been allowed into Wilton House
around 1900 to copy it.
In the movie, the entire ball scene, filmed in Wilton interior, lasts 6 minutes 22 seconds.
See Movie scenes shot in Wilton
The Reebkomp portrait in the background in the ball scene.
To the right of it is
Elizabeth Spencer and her son the 11th Earl.
Think the 11th Earl
on far RHS.
The novel was
written in the 1790s.
So that is when the story is set.
The 11th Earl's portrait in this room was painted in 1821,
so technically it is from the future here.
The Reebkomp portrait in the background.
The Reebkomp portrait in the background.
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